Kiln dried cypress is glued into a block. All the wood is from the same board to ensure that the grain and moisture content are consistant . Care is taken to orient the grain so that the wood works together as humidity changes . This ensures that the glue lines will not telegraph through the paint as the lure ages. |
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The outline of the Reel Keel lure is drawn on the side of the block. |
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The profile of the lure is cut on a bandsaw and the top profile is drawn on the block. |
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Here is the block with all bandsawing done . |
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Because of the unusual shape of the lure , the best way to make it was simply to use a hand plane, a carpenter's square, and elbow grease . Sometimes a job is best done by hand. |
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Here is the mockup for determining the shape and to aid in fitting the aluminum keel . On the real lure the keel is one piece with the plastic lure molded around it . For the sculpture two pieces were used to allow for painting the lure and finishing the aluminum before assembly. |
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Here is the finished lure ready for the trade show booth. The paint is a pearlized acrylic latex with a spar varnish top coat . The aluminum keel has a matt finish and is lacquered to protect it from dirt and grease . The hook is a Mustad 20/0 (8"long) the largest treble hook made. |
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Customers inspect the new lure after a hard day at the show |
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